Too Good; That May Be 50 minutes
Solo
This work is a solo immersive soundscape performance commissioned by the Urban Shaman Gallery for the 60's Scoop exhibition in April 2017. The work traces memory from womb-time to age 24. The artist used government documentation pertaining to her adoption, as well as over 20 hours of interviews with family. Jessica created ten tracks that then plays through ten different speakers during the performance. The performance is set in the round, and audience members sit inside the sound circle. Projections appear on the floor, with the title projected on a wall. This work is suitable for galleries, theatres and alternative performance spaces.
Photo above is from "Too Good; That May Be"
Photo credit for both is Urban Shaman Gallery 2017
Solo
This work is a solo immersive soundscape performance commissioned by the Urban Shaman Gallery for the 60's Scoop exhibition in April 2017. The work traces memory from womb-time to age 24. The artist used government documentation pertaining to her adoption, as well as over 20 hours of interviews with family. Jessica created ten tracks that then plays through ten different speakers during the performance. The performance is set in the round, and audience members sit inside the sound circle. Projections appear on the floor, with the title projected on a wall. This work is suitable for galleries, theatres and alternative performance spaces.
Photo above is from "Too Good; That May Be"
Photo credit for both is Urban Shaman Gallery 2017
iihksiisiinatsiistostiimao nipaitapiitsiin 70 minutes
Choreography and soundscapes emerged from research in Indigenous research methodologies to create a framework of Indigenous Creation methods. Working within storytelling structures, Jessica has created a new work derived from land-based research and creation in Mohkinstsis and the Ghost River, interweaved with her personal histories of adoption and displacement and connection to the land. Soundscapes, visuals, and movement create an intimate space, where we witness a personal story that draws us into a different time.
Excerpts shared at Matriarchs Uprising 2019, Vancouver, IndigiDIV 2019, and first iteration as part of a Master Thesis at Simon Fraser University, 2019.
Photo: Erik Zennestrom, Matriarchs Uprising 2019
Choreography and soundscapes emerged from research in Indigenous research methodologies to create a framework of Indigenous Creation methods. Working within storytelling structures, Jessica has created a new work derived from land-based research and creation in Mohkinstsis and the Ghost River, interweaved with her personal histories of adoption and displacement and connection to the land. Soundscapes, visuals, and movement create an intimate space, where we witness a personal story that draws us into a different time.
Excerpts shared at Matriarchs Uprising 2019, Vancouver, IndigiDIV 2019, and first iteration as part of a Master Thesis at Simon Fraser University, 2019.
Photo: Erik Zennestrom, Matriarchs Uprising 2019
Natoowapakaa'ksiiks 20 minutes
Natoowapakaa'ksiiks is a contemporary piece that was developed by Jessica McMann and Elijah Wells. This piece shares the intimate journeys of the creators identity. The pain of not being true to oneself, and leaning on the help of the persons two-spirits, the coming in and acceptance, and the balance found afterward share a narrative of being two-spirit. Music is composed by Adrian Alphonso (Cree), animations by Elijah Wells (Kainai) and narration by Molly Wells (Kainai). This piece was developed with support from Fairy Tales Presentation Society, Quickdraw Animation, Jean Francois Cote.
This was presented at Fairy Tales Film Festival 2012, Talking Stick Festival 2012, and Calgary Storytellers Festival 2012.
Photo: Screenshot from animation, Elijah Wells 2012
Natoowapakaa'ksiiks is a contemporary piece that was developed by Jessica McMann and Elijah Wells. This piece shares the intimate journeys of the creators identity. The pain of not being true to oneself, and leaning on the help of the persons two-spirits, the coming in and acceptance, and the balance found afterward share a narrative of being two-spirit. Music is composed by Adrian Alphonso (Cree), animations by Elijah Wells (Kainai) and narration by Molly Wells (Kainai). This piece was developed with support from Fairy Tales Presentation Society, Quickdraw Animation, Jean Francois Cote.
This was presented at Fairy Tales Film Festival 2012, Talking Stick Festival 2012, and Calgary Storytellers Festival 2012.
Photo: Screenshot from animation, Elijah Wells 2012
Solo Powwow and Hoop Dance Performances
Please contact for information on Powwow performances and Hoop Dance performances. This is available for Canada Day, National Aboriginal Day, Stampede Week, and any other major event or corporate celebration.
Photo: Tet M Photography, IndigiQueer 2018
Please contact for information on Powwow performances and Hoop Dance performances. This is available for Canada Day, National Aboriginal Day, Stampede Week, and any other major event or corporate celebration.
Photo: Tet M Photography, IndigiQueer 2018
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Powwow Mash-Up 15-30 minutes
3-8 dancers NOW PRESENTED BY WILD MINT ARTS https://www.wildmintarts.com/performance-works |
Nimihitowin! 45-65 minutes variable by client
8-10 dancers NOW PRESENTED BY WILD MINT ARTS https://www.wildmintarts.com/performance-works |
Tsiiniiksiin ahkositapiyo'p paskaan 15-20 minutes
1-5 hoop dancers
NOW PRESENTED BY WILD MINT ARTS
https://www.wildmintarts.com/performance-works
1-5 hoop dancers
NOW PRESENTED BY WILD MINT ARTS
https://www.wildmintarts.com/performance-works